Most people are unaware of the aftermath of this occupation, when the Czech people took revenge on their German-speaking neighbors. This story is explored in a German-Czech-Austrian feature film co-production, Habermann.
The film's press packet points out that three million German-speaking Czech citizens were violently pushed into Germany and Austria after the war. The film's poster quotes Czechoslovakia's President Eduard Benes on getting "rid of these Germans forever" and Franklin Roosevelt's concurrence. 270,000 Czechoslovakian Germans were "unaccounted for" -- most probably murdered.
Yet, since most of the film depicts the Nazi occupation and instances of local German collaboration with the Nazis, Habermann should not be taken as an unseemly exercise in revisionist exculpation of the Germans. Rather, it mostly treats its characters as morally complex individuals. For example, we see how a Czech hotel manager maneuvers between the Nazis and the resistance to survive and prosper.
Supporters of the Palestinian cause might note that upwards of ten million ethnic Germans fled and were evicted from Czechoslovakia, Poland, the Baltic states and other parts of Eastern Europe, with no prospect for return or compensation. The East Prussian city of Königsberg (birthplace of the famous German philosopher Immanuel Kant) became the Soviet-Russian city of Kaliningrad, while the German Baltic port of Danzig and the Silesian city of Breslau became the Polish cities of Gdansk and Wroclaw. Like 750,000 Palestinian Arabs in 1948, most of these Germans were innocent in the sense that non-combatants generally are, caught up in a ferocious war, which "their side" had started and ultimately lost.
In both cases, a total victory for their side would have meant a humanitarian calamity. This observation is obvious regarding the Nazis in World War II, but also likely if there had been an Arab victory in the war of 1948, during which the slaughter of Jews would have been in the many thousands, if not higher. As it was, even with the victory of the Jewish side in '48, the Palestinian Jewish community suffered 6,000 killed and about 15,000 wounded, or 3.5 percent of its total population; and all Jews were ethnically cleansed (in a combination of massacre and expulsion) from the Old City of Jerusalem and the Etzion Bloc of settlements near Bethlehem, where Arab forces triumphed.
Germany absorbed its ethnic kin, while most Arab countries kept the Palestinians apart in camps. This doesn't mean that any of these expulsions were just, or that the victims shouldn't have been compensated. Any reasonable and comprehensive solution to the Palestinian refugee problem would implement a package of compensation and the option of resettlement in the new Palestinian state or in a third country in line with the provisions detailed in the Geneva Accord of 2003.
The ethnic German refugee millions never received an international aid agreement. That they were able to move on with their lives in a way that Palestinians have not, however, was very much to the Germans' advantage. Still, Israel will likely never find peace until a sufficient accommodation is made with the Palestinians that allows them to also get on with their lives.
I've heard veteran Palestinian negotiator Saeb Erekat tell Jewish audiences that this should be addressed in part by an Israeli "apology" for Palestinian-Arab displacement. My feeling is that this would be very difficult because of the two peoples' conflicting narratives; but if the Palestinians were also to admit that they and their Arab allies were wrong to have violently rejected the United Nations Partition Plan of 1947 and in attacking the Palestinian Jewish community in what became Israel's War of Independence, then a certain reconciliation on an emotional level can be achieved. However, unless both sides are willing to acknowledge the full truth of 1947-48, which contravenes the limited self-serving understandings of both peoples, they'd all be better off leaving history to the historians.
P.S. For more details of the plot, see my review of Habermann in The Forward's "Arty Semite" blog, which concludes with the film's North American trailer. Coincidentally, a Czech film has just been released in the US at the same time; Protektor is overly artsy, but it also packs a wallop with its tale of the Nazi occupation of Prague and Czech reactions ranging from collaboration to resistance, and points in between. As with Habermann, the persecution of Jews is an important plot component.
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